Betty V2 in a brass frame, with a patina and polished finish.
-The brass frame intentionally has some weight to it. I prefer it for lining, and packing. Less recoil off the skin, and harder to rock the boat. very steady. Sounds good too.
The long A-bar mitigates the common spitting issues we’ve all encountered with other machines, and allows for a wider stroke and operating range. Fine lines, sure. Fat sharpie one-pass lines? You bet. Gentle layering, to all out whips. Betty has you covered.
Weight: 7.8oz
Stroke: 2mm-5.5+
Voltage range: 2.8ish-7.5+
Use a wide rubber band with just enough tension to stabilize the needle bar. Anything more is excessive and will make it hit softer, and not as punchy at lower volts.
Positive up on the clip cord is snappier, positive down is a bit more mellow. I usually always run positive up for shading, and positive down for quicker lining.
Betty V2 in a brass frame, with a patina and polished finish.
-The brass frame intentionally has some weight to it. I prefer it for lining, and packing. Less recoil off the skin, and harder to rock the boat. very steady. Sounds good too.
The long A-bar mitigates the common spitting issues we’ve all encountered with other machines, and allows for a wider stroke and operating range. Fine lines, sure. Fat sharpie one-pass lines? You bet. Gentle layering, to all out whips. Betty has you covered.
Weight: 7.8oz
Stroke: 2mm-5.5+
Voltage range: 2.8ish-7.5+
Use a wide rubber band with just enough tension to stabilize the needle bar. Anything more is excessive and will make it hit softer, and not as punchy at lower volts.
Positive up on the clip cord is snappier, positive down is a bit more mellow. I usually always run positive up for shading, and positive down for quicker lining.
